Why your business card should stand out (but not like these weird examples)

Internal panic

It’s a moment familiar to most entrepreneurs and start-up founders. You’re greasing the wheels at an industry event, adroitly articulating the cleverer points of your work with all due panache and enthusiasm. Suddenly someone whips out a business card and hands it to you. What with the latest funding round, sourcing a new workspace and – ahem – filing your taxes, putting together a corporate identity and corresponding business card has fallen down the list. As you announce to the group – too loudly to sound natural – “I’m fresh out of cards, some due from the printers next week” you crease up slightly inside. The ceremony of the card exchange comes to its bungled conclusion.

 Fortunately (perhaps) the social mores surrounding business appear to be becoming more relaxed by the day. Coming to a meeting without a card used to be like turning up to a shoot-out without a six-gun. Now it’s a minor mishap. 

This is me

As things have become less formal – spearheaded in part by the laissez faire, bathrobe-clad slacker sensibilities of Silicon Valley – the rules around business cards themselves are being re-written. Bucking the conventions of uniform, pared-back design, entrepreneurs are using business cards to stand out. All too often business owners opt for novelty rather than function. Recent years have seen the appearance of a particular genre of novelty card, made from embossed wood, steel or plastic, designed in a square so as to peak out irritatingly from the wallet. One colleague mentioned a card the surface of which was made from sandpaper – the idea being that it rubs out the details of competitors within the wallet.

Amid this cacophony of personal marketing, Michael Wolff, feted graphic designer and founder of brand consultancy Wolff Olins has some advice: “There’s a difference between business cards that say ‘look at me’ and those that say ‘this is me’,” he says. “You don’t want a card to be irritating, trivial or pretentious. Your focus in business shouldn’t be in trying to make your business card win a graphic design award.” 

Concept cards

But spend a day collecting cards at a trade fair or industry get together, and it’s plain to see that the sort of wisdom imparted by Wolff is being ignored in favour of a plethora of silly cards. Unfettered by corporate aesthetic guidelines, entrepreneurs are taking wild risks with their personal branding.

 Perhaps the greatest example of recent years is the card that staff writers from Business Insider found on the trade show floor of Las Vegas’ Consumer Electronics Show 2012. The individual, a multimedia producer, had superimposed a picture of his own head with cyborg-like wires and a (presumed) laser targeting device attached to his right eye. The inexplicable word: “RapBot” on his forehead. On the reverse, a shiny, futuristic sports car of some description – what else?

 Elsewhere, business cards aren’t actually made of card at all. Contact details on miniature bottles containing questionable cocktails mixed by the purveyor are a familiar trope, as are balloons – you can only read these when you blow into it – which makes writing details into your book of contacts rather hard on the diaphragm.

Context and quality

This whimsy aside, a well-wrought card goes a long way in impressing clients in Asia and the US, according to Wolff. The symbolism in exchanging cards carries implications of mutual respect. In this scenario, the wielding of a card which is thin and floppy or has poor quality ink is an extremely bad look. These considerations are more important than having a witty card.

 “The question is, do you want your card to entertain or inform? If it’s the former then you take a risk,” says Wolff. “If you are engaging and interesting and all those things – that’s great. But if your business card is all those things and you aren’t – you have a problem.”

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